By Martin J. Powers, Katherine R. Tsiang
Exploring the historical past of paintings in China from its earliest incarnations to the current day, this finished quantity comprises dozen newly-commissioned essays spanning the theories, genres, and media significant to chinese language paintings and thought all through its history.
- Provides an outstanding choice of essays selling a comparative figuring out of China’s lengthy list of cultural production
- Brings jointly a global staff of students from East and West, whose contributions variety from an summary of pre-modern conception, to these exploring calligraphy, effective portray, sculpture, add-ons, and more
- Articulates the course within which the sphere of chinese language paintings heritage is relocating, in addition to offering a roadmap for historians drawn to comparative examine or theory
- Proposes new and revisionist interpretations of the literati culture, which has lengthy been an incredible staple of chinese language artwork history
- Offers a wealthy perception into China’s social and political associations, non secular and cultural practices, and highbrow traditions, along chinese language paintings historical past, idea, and criticism
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Additional resources for A Companion to Chinese Art (Blackwell Companions to Art History)
1991). “This Culture of Ours”: Intellectual Transitions in T’ang and Sung China. Stanford, CA: Stanford University Press. Cahill, J. (2005). Some Thoughts on the History and Post-History of Chinese Painting. Archives of Asian Art, 55: 17–33. Chicago Cultural Studies Group (1992). Critical Multiculturalism. Critical Inquiry, 18(3): 530–555. Clunas, C. (1991). Superfluous Things: Material Culture and Social Status in Early Modern China. Cambridge: Polity. Cohen, P. A. (1984). Discovering History in China: American Historical Writing on the Recent Chinese Past.
London: printed for Benjamin Tooke at the Middle Temple Gate in Fleetstreet. INTRODUCTION 25 Lottes, G. (1991). China in European Political Thought, 1750–1850. In T. H. C. ), China and Europe: Images and Influences in Sixteenth to Eighteenth Centuries. Hong Kong: Chinese University Press, pp. 65–98. Michaels, W. B. (1992). Race into Culture: A Critical Genealogy of Cultural Identity. Critical Inquiry, 18(4): 684–685. Mitchell, W. J. T. (1994). Imperial Landscape. In W. J. T. ), Landscape and Power.
The definition of art became increasingly difficult within a context that incorporated new forms and genres 22 MARTIN J. POWERS AND KATHERINE R. TSIANG such as photography and cartoons, where the boundaries between art and advertising were indistinct. Barlow’s study invokes sociological and literary perspectives to interrogate the social functions of art during this historic and multicultural period and to consider the complexities of meaning and the purposes of artistic production. Word and Image Alfreda Murck has explored many aspects of the relationship of word and image in Chinese art and here presents a broad perspective on this subject.